MAP is a New York City-based organization.


Phone: 212.226.1677 (voicemail only)

We are currently reconsidering our grant program’s guidelines and parameters based on our learnings from 2020. We will release more information through our mailing list and website when we can. Thank you for your patience.

If you are a grantee looking to update us on your work, please do so on the grantee updates page.


Executive Director, Moira Brennan Based in NYC; Pronouns: she/her/hers Under Moira’s leadership, the MAP Fund has dramatically increased the number of proposals reviewed annually and expanded the program’s formidable impact on contemporary American performance. Moira transitioned MAP from an in-house program at Creative Capital to an independent organizations, incorporating a dedicated board and multiple stakeholders, including the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation. She also co-designed two ongoing projects, MAP’s Scaffolding for Performing Artists program (with David Sheingold), now in its eighth year, and, in 2017, the field-wide Equity in the Panel Room project (with Ama Codjoe). Moira represents the MAP Fund throughout the country as a speaker on the complex interplay between creativity, art, power, and money in contemporary culture, and previously sat on the board of Movement Research. A former editor at Ms. magazine, Ms. Brennan has written about arts and social justice for a variety of publications. She is a graduate of New York University Tisch School of the Arts.

Program Associate, Maya Quetzali Gonzalez Based in NYC; Pronouns: she/hers/hers Maya focuses on how the MAP Fund can better serve our artist communities, structuring programs to assist the goals of the artists in tandem with MAP’s mission of radical inclusivity.  Prior to joining MAP, Maya worked at the Public Theater, where she assisted with production at Shakespeare in The Park and the Under The Radar Festival, and conducted dramaturgy, communications, and other administrative duties at the Public Shakespeare Initiative. Maya is a recent Magna Cum Laude graduate of New York University’s Tisch School of the Arts with a B.F.A. in Drama (concentrating in directing and choreography) and a minor in producing. She attended NYU as a Martin Luther King, Jr. Scholar, and is excited to continue working toward greater equity in the arts at MAP Fund. She is also an organizer for the national Sunrise Movement. Website: 

Development Manager, Kim Savarino Based in NYC; Pronouns: she/her/hers Kim supports MAP’s development and growth, contributing research to build a program that centers equity and transparency. She has worked in various capacities with Arts Action Research, Dance/NYC, and DDCF, among others. Kim was a 2018 Dance/USA DILT mentee, previously served as co-chair of Dance/NYC’s Junior Committee, and co-organizes an ongoing gathering of Asian diaspora activists. In addition to arts administration, Kim works as an actor and dancer and is a proud member of Third Rail Projects and La Mama’s Great Jones Rep. Recent projects include a Broadway lab choreographed by Anna Teresa de Keersmaeker, an Italian “spectacle” directed by Romeo Castellucci, and playing Cassandra in Andrei Serban’s revival of The Trojan Women. She has choreographed multiple site-specific dance and theater works in spaces ranging from traditional stages to concrete backlots, and her work has been supported/presented by MANCC’s Forward Dialogues Lab, the EstroGenius Festival, Arts@Renaissance, and the WV Dance Festival. Kim studied dance at Florida State University and the San Francisco Conservatory of Dance, and grew up in West Virginia.

Director of Grants & Research, Lauren Slone Based in NYC; Pronouns: she/her/hers Lauren Ree Slone is a lifelong student of dance and a choreographic systems thinker who creates many different ways of connecting people and ideas. At MAP Fund, Lauren oversees the core grantmaking vision, strategy, and operations. She is focused on aligning MAP’s structural practices with its mission and values in efforts to facilitate a truly iterative, responsive, and anti-oppressive resource distribution process. Her recent writing on MAP’s ongoing evolution can be found in Americans for the Arts’ curated ARTSblog Salon and the GIA Reader. Over the past decade, she has also collaborated with various arts organizations across the United States to share her own performance work, and to build infrastructure and opportunities for artists via the founding and/or design of new education, producing, residency, and presentation programs. She holds a B.A. in Religious Studies with a minor in Philosophy from West Virginia University, and an M.F.A. in Dance Performance and Choreography from Florida State University School of Dance where she was the first Andrew W. Mellon Arts Administration Fellow at Maggie Allesee National Center for Choreography, a Ballet Pedagogy Fellow, and pursued choreographic research in Israel, Spain, and France. Website:


Moira Brennan has been director of the MAP Fund since 2004.

Ama Codjoe is the author of the chapbook Blood of the Air and the recipient of a 2019 NEA Creative Writing Fellowship and a 2020 BRIO Award among other honors. As a facilitator, she has conducted organizational culture, social justice, and anti-bias trainings for DreamYard Project, Bard Graduate Center, Groundswell Mural Arts Project, New York University and numerous other institutions. Ama recently served as a Visiting Assistant Professor of Social Justice and Inclusion at The New School and is a co-director of the National Guild for Community Arts Education Leadership Institute (CAELI).

Adriana Gallego is the Executive Director of the Arts Foundation for Tucson and Southern Arizona. In her cumulative roles as an artist, administrator and educator she has developed programs, grants, services and resources in support of arts organizations, artists, universities/schools, community groups and government agencies. Prior to joining the Arts Foundation for Tucson and Southern Arizona (AFTSA), Gallego was the first Chief Operating Officer of the National Association of Latino Arts and Cultures, Director of Strategic Initiatives with the Arizona Commission on the Arts, Educational Assistant at the Norton Simon Museum, and arts educator throughout the Southwest, including TPAC’s Rural Arts Program and founding member of Raíces Taller 222 Gallery and Workshop. Currently, Gallego serves on the national board of directors of Grantmakers in the Arts and MAP Fund.

Reuben Tomás Roqueñi (Yaqui/Mayo/Chicanx) is a nationally respected arts administrator with over 15 years experience in progressive program development, artist-centric support systems and grantmaking. Reuben is currently Director of National Artist Fellowships at Native Arts and Cultures Foundation, serving Native American, Alaska Native, and Native Hawaiian artists, organizations, and programs across the US. Previously, Reuben was Program Officer in the Performing Arts Program at the William and Flora Hewlett Foundation in the San Francisco Bay Area and served as Grants Program Director at Arts Foundation for Tucson and Southern Arizona.

 Reuben has served as board member for Portland Institute of Contemporary Art (PICA); The Association of American Cultures (TAAC) and was a founding Board member of the Tucson Musicians and Artists Health Alliance. He is a graduate of the Rockwood Leadership Institute, National Association of Latino Arts and Culture’s (NALAC) Leadership Training Institute, and the first NALAC Arts Advocacy Institute in DC. Reuben received his BFA from The Evergreen State College in Olympia, Washington and is a multi-media visual artist.

Maura Tierney is an American film and television actress who is best known for her roles as Lisa Miller on the sitcom NewsRadio, Audrey Reede in Liar Liar (1997), Abby Lockhart on the medical drama ER and as Helen Solloway on the television drama The Affair for which she won the Golden Globe Award in 2016. Maura appeared on Broadway in Nora Ephron’s Lucky Guy, directed by George C. Wolf. Maura is a member of the advisory board of The Wooster Group, where she has performed in North Atlantic (2010) and co-created The Town Hall Affair (2016). She lives in New York City and Los Angeles.

Sixto Wagan is the inaugural director for the Center for Arts Leadership at the University of Houston.  Prior to this role, he led the contemporary art center DiverseWorks, serving a multitude of capacities including Artistic Director, Co-Executive Director and Performing Arts Curator. During his tenure, he organized more than one hundred projects and is especially well known for collaborating with performers whose works tackle prescient cultural, social, and political issues. He is a celebrated commissioner and producer of contemporary art works, and has served on the boards of the National Performance Network, The MacDowell Colony and QFest. He currently is a Hub Site for the National Dance Project and on the advisory board for the Texan French Alliance for the Arts.  Mr. Wagan has been part of the Performing Arts Japan Advisory Committee, FUSED (French – US Exchange for Dance), the Contemporary Art Centers consortium and the Performing Americas Project; and has previously served as Dance Down Under Ambassador for the Australian Arts Council and as a primary consultant to Creative Capital. Wagan has served on a number of granting panels for private foundations, spoken at numerous national conferences, was published as part of Counting Beans: Intrinsic Impact of Art (Theater Bay Area), and has been recognized with two awards in Houston for Dance Presenting. He served on the Center for Houston’s Future Policy Committee for the 2014 Indicator Report on Arts and Cultural Heritage and is currently on the Culture and Tourism committee for the Greater Houston Partnership.

Meital Waibsnaider is a Senior Counsel at Kennedy Berg LLP, a commercial litigation boutique based in Manhattan. She has represented clients in complex commercial litigation matters in state and federal courts, mediations, and international and domestic arbitrations. Meital also serves as outside General Counsel to Gina Gibney Dance, Inc. and advises several other nonprofit cultural organizations on issues related to real estate, employment, nonprofit governance, the structuring of new initiatives, and company policies.  Meital previously worked in the General Counsel’s office at the New York City Department of Cultural Affairs and was a dancer with the Israel Ballet.